An Interview with Publisher Dominique Raccah
Bas Bleu: You launched Sourcebooks in 1987, leaving a job at a major advertising agency to do so. Why make the leap into publishing? What were the early Sourcebooks years like? What were your initial goals, and have they evolved over time?
Dominique Raccah: I left a promising career with advertising giant Leo Burnett, cashed in $17,000 from my 401(k) plan, and launched a publishing house from an upstairs bedroom in my home in Naperville, Illinois.
Why? Because books change lives. I know that because books changed my life at a young age when I first came to America. I was nine years old and did not speak English. I found refuge in the library, where books helped me to understand the culture and the language of the world I now found myself in. I have seen over the last thirty-one years how books can make a profound difference in peoples’ lives, and that is what continues to drive the Sourcebooks mission.
I started with just one book, and was initially focused on publishing professional finance titles, books for bankers, and how-to books for small-business owners.
It’s pretty wild that the company I started just thirty-one years ago has become a Top 11 U.S. publisher and the largest woman-owned publisher in North America. We have over 100 employees and now publish hundreds of books each year in a variety of categories.
BB: Publishing is a notoriously tough business. During your career, what major changes have you observed in the book business? What constants give the industry its strength?
DR: The constants are easy—the power of storytelling and the written word endures. We say often that books change lives. And they do, in ways both large and small.
Publishing is indeed a tough business. One thing that’s often overlooked is that it requires a business acumen, not just a literary acumen. It takes a lot more than just loving the book to make it successful. At Sourcebooks, we’ve been helped immensely by the big changes in the volume of data available about what readers want. Today we can gather sales information on basically every book published, we can see how readers are responding to our books in real time, and we can access most points in the supply chain to ensure books get in the hands of the right readers in the right places. Publishing is a business often based on gut instinct, but I’ll take data over my gut every day.
BB: Our readers (and our editors!) are very keen on Georgette Heyer. How did her novels come to live at Sourcebooks? Why do you think Heyer’s work—much of which is set in England during the Regency period (1811–1820) and was written more than a half-century ago—is so popular with modern American readers?
DR: Georgette Heyer is nothing less than timeless. Her words and her language are concise, which keeps her books incredibly accessible for today’s readers. And her characters and themes go straight to the heart of what it means to be human, and that never changes.
We were fortunate years ago to be able to meet with the Heyer estate and to offer them a vision for publishing and promoting her books for a new generation. They are incredibly forward-thinking and supported new decisions we were suggesting about how the books would get in the hands of a readership both old and new.
BB: Just as a parent can’t choose a favorite child, we’re sure it’s difficult for you to choose your favorite Sourcebooks titles. So we’ll let you choose three! Which of your company’s books are you particularly proud of?
DR: There are three books that come to mind as watershed moments for Sourcebooks.
In 1998, we broke all boundaries with We Interrupt This Broadcast by Joe Garner, a mixed-media book featuring two compact discs with integrated content. It was our largest first printing, and it went on to become Sourcebooks’s first New York Times bestseller. The brilliant pairing of live audio with photographs and the written word generated enormous interest within the bookselling community.
Three years later, we reinvigorated the way readers experience poetry with Poetry Speaks, a book and three-CD combination featuring noted poets like Tennyson and Plath reading their own work. This anthology, a Los Angeles Times and New York Times bestseller, was lauded by Publishers Weekly as having “the potential to draw more readers to poetry than any collection in years.”
After saying I would never publish a children’s book, we released our first children’s picture book, Poetry Speaks to Children, in 2005. The unique grouping of poems, illustrations, and a CD of poets reading their work delighted booksellers and found its way into the hearts of parents, teachers, and children alike, landing it on the New York Times bestseller list for ten weeks. The title eventually marked the springboard for the launch of Sourcebooks Jabberwocky, which started in 2007. A decade later, we’re the eleventh largest children’s book publisher.
BB: Thank you, Dominique Raccah, for sharing your insight into the publishing world. We look forward to the wonderful books and stories to come from Sourcebooks!